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    <title><![CDATA[Law and the Image]]></title>
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    <description><![CDATA[]]></description>
    <pubDate>Fri, 24 Apr 2026 15:47:03 +0000</pubDate>
    <managingEditor>ritwickpal@gmail.com (Law and the Image)</managingEditor>
    <copyright>&Acirc;&copy; &amp; &Acirc;&reg; by The Media Lab, Jadavpur University, 2011</copyright>
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      <title><![CDATA[The Subject of Law and Subject of Narratives.]]></title>
      <link>https://lawimage.medialabju.org/items/show/31</link>
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                                    <div class="element-text">The Subject of Law and Subject of Narratives.</div>
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                                    <div class="element-text">Subaltern Studies/ History</div>
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                                    <div class="element-text">The essay confronts a problem of political thought approached through the question of cruelty inflicted on Hindu widows of Bengali middle-class families.</div>
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                                    <div class="element-text">Dipesh Chakrabarty</div>
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                                    <div class="element-text">Habitations of Modernity: Essays in the Wake of Subaltern Studies, Pp. 101-114.</div>
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                                    <div class="element-text">Permanent Black, India.</div>
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                                    <div class="element-text">2002</div>
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                                    <div class="element-text">The Media Lab</div>
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                                    <div class="element-text">English</div>
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                                    <div class="element-text">The essay confronts a problem of political thought approached through the question of cruelty inflicted on Hindu widows of Bengali middle-class families. As the harrowing descriptions of oppression raise a mixture of sadness, horror and anger in the author along with a desire and the will to intervene, he questions these emotions in the light of the knowledge of violence on which the state and its laws are founded. He speaks of the violence of the same modernity that teaches us to think of the law as a key instrument of social justice. </div>
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        </div><!-- end element-set --><div class="item-file application-pdf"><a class="download-file" href="https://lawimage.medialabju.org/archive/files/d9e730c0d5a208352452578ef0562bfc.pdf">The Subject of Law and Subject of Narratives.pdf</a></div>]]></description>
      <pubDate>Thu, 23 Jun 2011 15:26:00 +0000</pubDate>
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      <title><![CDATA[Mr and Mrs 55 â€“ 05]]></title>
      <link>https://lawimage.medialabju.org/items/show/28</link>
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                                    <div class="element-text">Mr and Mrs 55 &acirc;&euro;&ldquo; 05</div>
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                                    <div class="element-text">Feature film clip</div>
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                                    <div class="element-text">Dir: Guru Dutt<br />
Producer: Guru Dutt Films Pvt. Ltd.<br />
Screenplay: Abrar Alvi<br />
Editing: Y.G. Chawhan<br />
Cinematography: V.K. Murthy<br />
Music: O.P. Nayyar<br />
Art: D.R. Yadhav<br />
Cast: Madhubala; Guru Dutt; Lalita Pawar; Johnny Walker; Yasmin; Kumkum; Tuntun; Cuckoo; Moni Chatterjee; Al Nasir; etc.<br />
Distributors: Ultra Distributors Pvt. Ltd. <br />
<br />
synopsis: Anita (Madhubala) is a normal urban young girl, with visions of love and romance, yet restrained by her aunt Sita Devi, an avowed man-hater and a crusader for Women&#039;s Rights and the impending legalisation of the Divorce provision. However Anita&#039;s deceased father stipulates in his will that Anita will inherit his fortune only if she marries within a month of turning 21. Sita Devi decides to contrive a marriage &quot;contract&quot; with a willing and preferably poor man, who would agree to divorce for a payment, so that Anita gets both her wealth and her independence. She hires Preetam (Guru Dutt), a struggling cartoonist, to marry Anita, unaware that the two had met and Preetam was already in love with her. When Anita finds out he is her hired husband, who has agreed to marry for financial gains, he falls in her eyes. Preetam, frustrated at not being able to see Anita after the marriage, carries her off to his brother&#039;s house in a nearby village. Anita is deeply influenced by Preetam&#039;s sister-in-law, a perfect traditional Indian housewife, yet is extricated by her aunt and brought back to the city. Feeling that Anita doesn&#039;t reciprocate his feelings, Preetam fabricates evidence against himself so that his divorce with Anita will come about easily and decides to leave Bombay. Preetam is much maligned in court but by now Anita realizes how much she loves him. She defies her aunt and rushes to the airport to stop Preetam from leaving. Anita and Preetam are reunited.<br />
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                                    <div class="element-text">Guru Dutt</div>
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                                    <div class="element-text">1955</div>
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                                    <div class="element-text">The Media Lab</div>
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                                    <div class="element-text">AVI</div>
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                                    <div class="element-text">Hindi</div>
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                                    <div class="element-text">The aunt, Seeta Devi pulls Anita to the marriage registrar&#039;s desk. The registrar asks Anita if she had consented to the marriage under force or duress. Anita briefly looks at her aunt before saying no. Preetam is asked if he had gone through the clauses. Then Preetam is asked to say aloud that he accepted Anita Verma as his lawfully wedded wife. Anita angrily goes through her lines as well, and asks rapidly where to sign. As the two sign the document, the saxophone can be heard to play in the background score underlining the comic, yet &quot;Western&quot; theme of the proceedings of a &quot;civil marriage&quot;. As the witnesses sign, Preetam follows Anita out of the chambers even before the stunned registrar had been able to congratulate them on their marriage.</div>
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                                    <div class="element-text">DVD</div>
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                                    <div class="element-text">01:07 mins</div>
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                                    <div class="element-text">AVI</div>
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        <h3>Producer</h3>
                                    <div class="element-text">Guru Dutt Films Pvt. Ltd. </div>
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        <h3>Director</h3>
                                    <div class="element-text">Guru Dutt</div>
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      <pubDate>Thu, 23 Jun 2011 15:09:32 +0000</pubDate>
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      <title><![CDATA[Bigamy Law Defied]]></title>
      <link>https://lawimage.medialabju.org/items/show/25</link>
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                                    <div class="element-text">Bigamy Law Defied</div>
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                                    <div class="element-text">Magazine article</div>
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        <h3>Description</h3>
                                    <div class="element-text">Article published in the Oct 1947 issue of the Filmindia magazine commenting on how bigamy practised by the protagonist of a film actually led to a criminal infringement of the law by abetting the crime.</div>
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                                    <div class="element-text">The Media Lab</div>
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                                    <div class="element-text">Filmindia, Oct 1947/ Vol. XIII, No. 10. </div>
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                                    <div class="element-text">1947 &acirc;&euro;&ldquo; 10</div>
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                                    <div class="element-text">The Media Lab</div>
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                                    <div class="element-text">Paper</div>
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      <pubDate>Thu, 23 Jun 2011 14:25:04 +0000</pubDate>
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      <title><![CDATA[Nation Building Through the Enactment of the Hindu Code Bill: The Nehruvian Agenda]]></title>
      <link>https://lawimage.medialabju.org/items/show/22</link>
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                                    <div class="element-text">Nation Building Through the Enactment of the Hindu Code Bill: The Nehruvian Agenda</div>
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                                    <div class="element-text">Hindu Code Bill</div>
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                                    <div class="element-text">A commentary on the Hindu Code Bill illustrating how it served more as an effort of homogenization by the nascent nation state; a concern overriding issues of personal rights and womens&#039;s issues thus diluting the cause of women which it professed to serve. </div>
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                                    <div class="element-text">Flavia Agnes</div>
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                                    <div class="element-text">Personal collection</div>
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                                    <div class="element-text">Published as part of the paper presented at the conference organized by the Centre for Studies in Social Sciences, Calcutta &quot;The &#039;Long&#039; 1950s&quot;</div>
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                                    <div class="element-text">March 18, 2008</div>
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                                    <div class="element-text">The Media Lab</div>
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                                    <div class="element-text">English</div>
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                                    <div class="element-text">Influences: <br />
World War 2: Human Rights Violations <br />
Effect: Enshrine Notions of Individual Protection <br />
Partition: Communal Violence/ New Nation<br />
Effect: Assurances of &quot;equality&quot; to minority communities<br />
As a result the Bill acts not really as a political break, but a continuum on values and ethos of earlier regime combined with contemporary socio-political scenario. A balancing act, leading to a &quot;dilution&quot;.<br />
Hindu Code Bill takes up the issues of Gender Equality and Women&#039;s Rights which were bereft a place in the &quot;smooth governance&quot; concerns of the Constitution. Yet, the Bill can be dissected more in the paradigm of Nation Building - a homogenizing project, aiming to codify a culturally diverse Hindu community into a uniform &quot;legal&quot; community - thus diluting issues of Women&#039;s Rights to arrive at a minimum consensus.<br />
<br />
Right of Inheritance<br />
Right limited to self-acquired property of father and not ancestral property rights. Moreover, this right could be desisted by throwing the separate property back to the common stack of the coparcenary to avail incentives like tax reliefs to coparcenaries under the Income Tax Act.<br />
Equal rights to sons and daughters.<br />
Property of childless woman devolves to husband&#039;s heirs and in only in their absence to her own parents.<br />
Distinction between heir of father and heir of mother, the latter cast in an inferior category.<br />
No safeguards to Women&#039;s Property Rights as under Islamic Law. <br />
Modelled on English Law Model of rights of an individual.<br />
<br />
Right to Divorce<br />
<br />
No provision for economic security.<br />
Right to divorce by mutual consent deemed too &quot;radical&quot; and foregone.<br />
Almost a barter of rights of residence and economic security to that of divorce and subsequent destitution.<br />
<br />
Monogamy<br />
Not immediately effectual due to custom-ridden and pluralistic Hindu society. Failure to curb polygamy.<br />
<br />
Confusion regarding exact marriage procedures. Rigidity of the Law towards Vivah Homa, Saptapadi and other similar customs as tools to prove validity of marriage. As a result providing the scope to wriggle out of marriages (in spite of cohabitation, children, etc.) and claims of maintenance.<br />
Detrimental even in comparison to earlier law, which would provide maintenance obligations in polygamous marriages.<br />
<br />
Formal Equality<br />
Equal rights and obligations of spouses towards each other. Both have equal rights to matrimonial remedies and ancilliary reliefs. Inequality in inheritance, equal in legal obligation to maintain husband. &quot;Customary&quot; enough to prevent right for divorce by mutual consent, yet &quot;progressive&quot; to maintain husbands.<br />
Husband could claim for Restitution of Conjugal Rights against the wife if she works away from the matrimonial home against the husband&#039;s wish. This &quot;sacramental&quot; notion of the husband as the &quot;Lord&quot; of conjugality continued in court decrees throught to the 1970&#039;s.<br />
<br />
Comparison to Local Customs<br />
Murumakkattayam Act, 1933. Applicable in Malabar region. Already equipped with the right to divorce.<br />
Scriptural Laws and Customs. Females as &quot;Stridhana&quot; heirs have rights superior to males, parents superior to in-laws.<br />
No principle enacted which did not already exist somewhere in India, yet several liberal &quot;customs&quot; discarded for the sake of uniformity<br />
Constitutional Challenges<br />
<br />
Decree by Andhra Pradesh High Court in July, 1983 announcing the Restitution of Conjugal Rights clause as unconstitutional, a gross violation of the individual&#039;s right to privacy guaranteed by Art. 21 of the Constitution. Also violates Art. 14 dealing with &quot;equality of protection&quot; by working to the benefits of the husband, deeming equality projected on unequal relations as &quot;perverse&quot;.<br />
<br />
Delhi High Court defended both sections later announcing &quot;restitution&quot; as a tool to help the court in coaxing and cajoling parties to resume married life. &quot; In the privacy of Home and Married Life, Art. 14 and Art. 21 have no place.&quot;<br />
<br />
The Supreme Court overruled the decree of the Andhra Court as well, announcing that the provision of &quot;restitution&quot; always had the objective of ensuring conjugality through coercive measures.<br />
<br />
Question of Who is Hindu? <br />
The problematic notion of Hinduism as a centralised, coded religion as opposed to a cultural system. The code defines Hindu as<br />
(a) to any person who is a Hindu by religion in any of its forms or developments,<br />
including a Virashaiva, a Lingayat or a follower of the Brahma, Parthana or Arya Samaj,<br />
(b) to any person who is a Buddhist, Jaina or Sikh by religion, and<br />
(c) to any other person domiciled in the territories to which this Act extends who is not a Muslim, Christian, Parsi or Jew by religion, unless it is proved that any such person would not have been governed by the Hindu Law or by any custom or usage as part of that law in respect of any of the matters dealt with here in if this Act had not been passed, which the court elaborates as<br />
<br />
&quot;Acceptance of the Vedas with reverence, recognition of the fact that the means of ways to salvation are diverse and realisation of the truth that number of gods to be worshipped is large is the distinguishing features of the Hindu Religion&quot; from Tilak&#039;s Gita-Rahasya. <br />
Paramount importance on &quot;National Integration&quot;, establishing supremacy of the State over the religious institutions, balancing between &quot;tradition&quot; and &quot;modernity&quot;, bound by the Constitution of the &quot;Modern&quot; State, yet professing continuity with ancient, sacred laws to bring in &quot;selective&quot; reforms.<br />
</div>
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                                    <div class="element-text">Paper</div>
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      <pubDate>Thu, 23 Jun 2011 13:29:44 +0000</pubDate>
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