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    <title><![CDATA[Law and the Image]]></title>
    <link>https://lawimage.medialabju.org/items/browse/tag/marriage?output=rss2</link>
    <description><![CDATA[]]></description>
    <pubDate>Fri, 24 Apr 2026 15:49:41 +0000</pubDate>
    <managingEditor>ritwickpal@gmail.com (Law and the Image)</managingEditor>
    <copyright>&Acirc;&copy; &amp; &Acirc;&reg; by The Media Lab, Jadavpur University, 2011</copyright>
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    <item>
      <title><![CDATA[Love in a Colonial Climate: Marriage, Sex and Romance in Nineteenth-Century Bengal]]></title>
      <link>https://lawimage.medialabju.org/items/show/39</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
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        <h3>Title</h3>
                                    <div class="element-text">Love in a Colonial Climate: Marriage, Sex and Romance in Nineteenth-Century Bengal</div>
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                <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                                    <div class="element-text">Cultural Studies/ Asian Studies</div>
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            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">A study of the 19th century Bengali society and the changing notions of marriage, conjugality and companionship ushered in through an acquaintance to Western worldviews through colonial rule.</div>
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                    <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Tapan Raychaudhuri</div>
                    </div><!-- end element -->
            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">Modern Asian Studies, Vol. 34, No. 2, (May, 2000), pp. 349-378.</div>
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            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                                    <div class="element-text">Cambridge University Press.</div>
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            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2000</div>
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        <h3>Contributor</h3>
                                    <div class="element-text">The Media Lab</div>
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        <h3>Rights</h3>
                                    <div class="element-text">JSTOR<br />
http://www.jstor.org/stable/313067<br />
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                                    <div class="element-text">PDF</div>
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        <h3>Language</h3>
                                    <div class="element-text">English</div>
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    <h2>Document Item Type Metadata</h2>
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        <h3>Text</h3>
                                    <div class="element-text">Child Marriage and its impact of the child bride&#039;s life through personal accounts.<br />
Suppressed sexuality and closed households facilitating extra-marital relations which, even when found were suppressed within the family to prevent &quot;public&quot; denouncement of the family name.<br />
the widow&#039;s plight.<br />
Victorian puritan ethos among the Brahmos and the western-educated. Suppression of sexuality as &quot;vulgar&quot;,a stand point incommensurate with certain devotional modes and practises prevalent even in Hinduism which ar steeped in sexual discourses.<br />
The lure of &quot;romance&quot; in the post-Hindu College reformist era. Liberalism and introduction to western notions of companionship through literature. The lure mostly unrequitted, yet call for &quot;women&#039;s education&quot; rises in which underlies the desire for an &quot;educated companion&quot;.<br />
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        <h3>Original Format</h3>
                                    <div class="element-text">PDF</div>
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        </div><!-- end element-set --><div class="item-file application-pdf"><a class="download-file" href="https://lawimage.medialabju.org/archive/files/fdc83f87caeace6df75f981f4fd80dca.pdf">Love in a Colonial Climate_Marriage Sex and Romance in NineteenthCentury Bengal.pdf</a></div>]]></description>
      <pubDate>Thu, 23 Jun 2011 16:48:33 +0000</pubDate>
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      <title><![CDATA[Review: Bratacharini]]></title>
      <link>https://lawimage.medialabju.org/items/show/38</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Review: Bratacharini</div>
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                <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                                    <div class="element-text">Film review</div>
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        <h3>Description</h3>
                                    <div class="element-text">Review of the film Bratacharini published in the Kartik, 1362 (Nov-Dec, 1955) issue of the Chitrabani magazine.</div>
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                    <div id="dublin-core-creator" class="element">
        <h3>Creator</h3>
                                    <div class="element-text">Anon. </div>
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            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">The Nandan Library, West Bengal Film Centre</div>
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        <h3>Publisher</h3>
                                    <div class="element-text">Chitrabani (Kartik, 1362)</div>
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            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1955</div>
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                                            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">The Media Lab</div>
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                                                                                <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">PDF</div>
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                    <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">Bengali</div>
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                                                                    </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text">The review criticizes the film for the dated nature of its basic theme and storyline i.e. problems in marriage between different castes, which it states is hardly relevant at the period. Yet, it acknowledges the attempt due to the success it achieves in presenting its theme to extract maximum sympathy from the viewer.</div>
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        <h3>Original Format</h3>
                                    <div class="element-text">Paper</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file application-pdf"><a class="download-file" href="https://lawimage.medialabju.org/archive/files/69dae003b082185319d5c729b4d45c61.pdf">Review_Bratacharini.pdf</a></div>]]></description>
      <pubDate>Thu, 23 Jun 2011 16:40:44 +0000</pubDate>
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      <title><![CDATA[The Subject of Law and Subject of Narratives.]]></title>
      <link>https://lawimage.medialabju.org/items/show/31</link>
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                                    <div class="element-text">The Subject of Law and Subject of Narratives.</div>
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        <h3>Subject</h3>
                                    <div class="element-text">Subaltern Studies/ History</div>
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        <h3>Description</h3>
                                    <div class="element-text">The essay confronts a problem of political thought approached through the question of cruelty inflicted on Hindu widows of Bengali middle-class families.</div>
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        <h3>Creator</h3>
                                    <div class="element-text">Dipesh Chakrabarty</div>
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        <h3>Source</h3>
                                    <div class="element-text">Habitations of Modernity: Essays in the Wake of Subaltern Studies, Pp. 101-114.</div>
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            <div id="dublin-core-publisher" class="element">
        <h3>Publisher</h3>
                                    <div class="element-text">Permanent Black, India.</div>
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            <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">2002</div>
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                                            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">The Media Lab</div>
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                                                                                <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">PDF</div>
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                    <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">English</div>
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                                                                    </div><!-- end element-set --><div class="element-set">
    <h2>Document Item Type Metadata</h2>
        <div id="document-item-type-metadata-text" class="element">
        <h3>Text</h3>
                                    <div class="element-text">The essay confronts a problem of political thought approached through the question of cruelty inflicted on Hindu widows of Bengali middle-class families. As the harrowing descriptions of oppression raise a mixture of sadness, horror and anger in the author along with a desire and the will to intervene, he questions these emotions in the light of the knowledge of violence on which the state and its laws are founded. He speaks of the violence of the same modernity that teaches us to think of the law as a key instrument of social justice. </div>
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            <div id="document-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">Paper</div>
                    </div><!-- end element -->
        </div><!-- end element-set --><div class="item-file application-pdf"><a class="download-file" href="https://lawimage.medialabju.org/archive/files/d9e730c0d5a208352452578ef0562bfc.pdf">The Subject of Law and Subject of Narratives.pdf</a></div>]]></description>
      <pubDate>Thu, 23 Jun 2011 15:26:00 +0000</pubDate>
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      <title><![CDATA[Uttar Falguni 01]]></title>
      <link>https://lawimage.medialabju.org/items/show/30</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Uttar Falguni 01</div>
                    </div><!-- end element -->
                <div id="dublin-core-subject" class="element">
        <h3>Subject</h3>
                                    <div class="element-text">Bengali film</div>
                    </div><!-- end element -->
            <div id="dublin-core-description" class="element">
        <h3>Description</h3>
                                    <div class="element-text">Uttar Falguni (1963)<br />
Director: Asit Sen<br />
Producer: Uttam Kumar Films Pvt. Ltd.<br />
Story: Niharranjan Gupta<br />
Script: Nripendrakrishna Chattopadhyay<br />
Cinematography: Anil Gupta, Jyoti Laha<br />
Art: Ramchandra Sindhe, Sujit Das<br />
Editing: Tarun Dutta<br />
Music: Rabin Chattopadhyay<br />
Cast: Suchitra Sen, Bikash Ray, Dilip Mukhopadhyay, Pahari Sanyal, Chhaya Debi, Jahar Gangopadhyay, Ajit Bandyopadhyay, Sita Mukhopadhyay, Kalipada Chakraborty, Shyam Laha, Renuka Ray, Rajlakshmi Debi, etc.<br />
Distributors: Chhayabani Pvt. Ltd.<br />
Released on 11/10/1963 at Rupabani, Aruna, Bharati<br />
Awards: President&#039;s Award, India, Silver Medal for Best Bengali Film, 1963.<br />
<br />
synopsis: Suchitra plays the role of a Bengali Hindu girl given up in marriage to a lecherous drunkard, whose tortures force her to think of suicide. Yet she is miraculously saved and takes up the job of a Bai in a Lucknow household. She sends her daughter away to be brought up in respectable surroundings, but the husband finds her out and returns continually to claim initially money, and then the daughter, threatening her with the restitution of conjugal rights clause. When the man ultimately learns of the daughter&#039;s whereabouts, Suchitra kills him to prevent the disclosure of her daughter&#039;s identity. <br />
Meanwhile, the daughter has been brought up by the woman&#039;s ex-boyfriend, a lawyer. Suchitra returns in a double role as the young daughter who has herself grown into a lawyer and takes up the case of, unknowingly, her own mother and the final disclosure awaits in the courts of law.<br />
</div>
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                                    <div class="element-text">Asit Sen</div>
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            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">DVD</div>
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                                                    <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">The Media Lab</div>
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                                                                                <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">AVI</div>
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                    <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">Bengali</div>
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                                                                    </div><!-- end element-set --><div class="element-set">
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        <h3>Transcription</h3>
                                    <div class="element-text">The lecherous husband returns to extort money form the wife (Suchitra) threatening her with the Restitution of Conjugal Rights clause.<br />
<br />
Subtitled in English by the Media Lab.<br />
</div>
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        <h3>Original Format</h3>
                                    <div class="element-text">DVD</div>
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            <div id="moving-image-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">00:37 min.</div>
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            <div id="moving-image-item-type-metadata-compression" class="element">
        <h3>Compression</h3>
                                    <div class="element-text">AVI</div>
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            <div id="moving-image-item-type-metadata-producer" class="element">
        <h3>Producer</h3>
                                    <div class="element-text">Uttam Kumar Films Pvt. Ltd. </div>
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            <div id="moving-image-item-type-metadata-director" class="element">
        <h3>Director</h3>
                                    <div class="element-text">Asit Sen</div>
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      <pubDate>Thu, 23 Jun 2011 15:19:48 +0000</pubDate>
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      <title><![CDATA[Mr and Mrs 55 â€“ 05]]></title>
      <link>https://lawimage.medialabju.org/items/show/28</link>
      <description><![CDATA[<div class="element-set">
    <h2>Dublin Core</h2>
        <div id="dublin-core-title" class="element">
        <h3>Title</h3>
                                    <div class="element-text">Mr and Mrs 55 &acirc;&euro;&ldquo; 05</div>
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                                    <div class="element-text">Feature film clip</div>
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        <h3>Description</h3>
                                    <div class="element-text">Dir: Guru Dutt<br />
Producer: Guru Dutt Films Pvt. Ltd.<br />
Screenplay: Abrar Alvi<br />
Editing: Y.G. Chawhan<br />
Cinematography: V.K. Murthy<br />
Music: O.P. Nayyar<br />
Art: D.R. Yadhav<br />
Cast: Madhubala; Guru Dutt; Lalita Pawar; Johnny Walker; Yasmin; Kumkum; Tuntun; Cuckoo; Moni Chatterjee; Al Nasir; etc.<br />
Distributors: Ultra Distributors Pvt. Ltd. <br />
<br />
synopsis: Anita (Madhubala) is a normal urban young girl, with visions of love and romance, yet restrained by her aunt Sita Devi, an avowed man-hater and a crusader for Women&#039;s Rights and the impending legalisation of the Divorce provision. However Anita&#039;s deceased father stipulates in his will that Anita will inherit his fortune only if she marries within a month of turning 21. Sita Devi decides to contrive a marriage &quot;contract&quot; with a willing and preferably poor man, who would agree to divorce for a payment, so that Anita gets both her wealth and her independence. She hires Preetam (Guru Dutt), a struggling cartoonist, to marry Anita, unaware that the two had met and Preetam was already in love with her. When Anita finds out he is her hired husband, who has agreed to marry for financial gains, he falls in her eyes. Preetam, frustrated at not being able to see Anita after the marriage, carries her off to his brother&#039;s house in a nearby village. Anita is deeply influenced by Preetam&#039;s sister-in-law, a perfect traditional Indian housewife, yet is extricated by her aunt and brought back to the city. Feeling that Anita doesn&#039;t reciprocate his feelings, Preetam fabricates evidence against himself so that his divorce with Anita will come about easily and decides to leave Bombay. Preetam is much maligned in court but by now Anita realizes how much she loves him. She defies her aunt and rushes to the airport to stop Preetam from leaving. Anita and Preetam are reunited.<br />
</div>
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        <h3>Creator</h3>
                                    <div class="element-text">Guru Dutt</div>
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            <div id="dublin-core-source" class="element">
        <h3>Source</h3>
                                    <div class="element-text">DVD</div>
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                <div id="dublin-core-date" class="element">
        <h3>Date</h3>
                                    <div class="element-text">1955</div>
                    </div><!-- end element -->
                                            <div id="dublin-core-contributor" class="element">
        <h3>Contributor</h3>
                                    <div class="element-text">The Media Lab</div>
                    </div><!-- end element -->
                                                                                <div id="dublin-core-format" class="element">
        <h3>Format</h3>
                                    <div class="element-text">AVI</div>
                    </div><!-- end element -->
                    <div id="dublin-core-language" class="element">
        <h3>Language</h3>
                                    <div class="element-text">Hindi</div>
                    </div><!-- end element -->
                                                                    </div><!-- end element-set --><div class="element-set">
    <h2>Moving Image Item Type Metadata</h2>
        <div id="moving-image-item-type-metadata-transcription" class="element">
        <h3>Transcription</h3>
                                    <div class="element-text">The aunt, Seeta Devi pulls Anita to the marriage registrar&#039;s desk. The registrar asks Anita if she had consented to the marriage under force or duress. Anita briefly looks at her aunt before saying no. Preetam is asked if he had gone through the clauses. Then Preetam is asked to say aloud that he accepted Anita Verma as his lawfully wedded wife. Anita angrily goes through her lines as well, and asks rapidly where to sign. As the two sign the document, the saxophone can be heard to play in the background score underlining the comic, yet &quot;Western&quot; theme of the proceedings of a &quot;civil marriage&quot;. As the witnesses sign, Preetam follows Anita out of the chambers even before the stunned registrar had been able to congratulate them on their marriage.</div>
                    </div><!-- end element -->
            <div id="moving-image-item-type-metadata-original-format" class="element">
        <h3>Original Format</h3>
                                    <div class="element-text">DVD</div>
                    </div><!-- end element -->
            <div id="moving-image-item-type-metadata-duration" class="element">
        <h3>Duration</h3>
                                    <div class="element-text">01:07 mins</div>
                    </div><!-- end element -->
            <div id="moving-image-item-type-metadata-compression" class="element">
        <h3>Compression</h3>
                                    <div class="element-text">AVI</div>
                    </div><!-- end element -->
            <div id="moving-image-item-type-metadata-producer" class="element">
        <h3>Producer</h3>
                                    <div class="element-text">Guru Dutt Films Pvt. Ltd. </div>
                    </div><!-- end element -->
            <div id="moving-image-item-type-metadata-director" class="element">
        <h3>Director</h3>
                                    <div class="element-text">Guru Dutt</div>
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      <pubDate>Thu, 23 Jun 2011 15:09:32 +0000</pubDate>
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